Colloque "Le corps du voyageur dans la littérature, la civilisation et les arts du monde anglophone"

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ALTER - Arts/Langages : Transitions et Relations

CONTACTS

Directrice : Hélène LAPLACE-CLAVERIE

helene.laplace-claverie @ univ-pau.fr   

 

Directrice adjointe : Emilie GUYARD

emilie.guyard @ univ-pau.fr

 

Secrétariat : 05.59.40.73.76

Muriel Guyonneau

 

Ingénieur d'études : 05.40.17.52.88

Anne-Claire Cauhapé (ac.cauhape @ univ-pau.fr)

             

Appui à la Politique de Recherche : 05.59.40.72.36

Marie-Manuelle Marcos (marie-manuelle.marcos @ univ-pau.fr)

 

 

 

COLLECTION HAL

 

 

UNITA/ Label Université Européenne

 

 

 

 

Voir en plein écran

Laboratoire ALTER

Université de Pau et des Pays de l'Adour
Avenue du Doyen Poplawski
BP 1160
64013 Pau cedex

 

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Colloque "Le corps du voyageur dans la littérature, la civilisation et les arts du monde anglophone"Appel à communications

 

Ce colloque s’inscrit dans la continuité des travaux menés sur le corps – le visage, le corps du lecteur, le corps de l’artiste – et dans le cadre de la réflexion poursuivie au sein de l’équipe 3 du laboratoire ALTER autour des représentations du sujet et de sa relation au monde lors de ses migrations et circulations. Nous proposons d’explorer une dimension particulière du voyage choisi et consenti, le déplacement dans sa dimension incarnée. Le corps du voyageur a déjà fait l’objet de plusieurs travaux universitaires : on pourrait ainsi citer le numéro de Viatica (2014) qui lui a été consacré et le colloque « Body in Motion, Travelling Bodies: circulations du corps dans la littérature anglophone ». Nous souhaitons insister sur la physicalité du voyage et de ses effets. Trois axes retiendront notre attention : les conditions matérielles du voyage (moyens de transport et de déplacement, lieux souvent intermédiaires, accessoires essentiels à son périple) ; la relation du corps du voyageur à son environnement et les sensations ou perceptions qui traduisent la force de cette incarnation ; en dernier lieu, l’effet de ces tribulations sur le corps et ses frontières, qu’il s’agisse d’une reconfiguration ou d’une déconstruction. Enfin, nous proposons une interrogation sur l’influence de ces nouveaux états du corps sur les qualités formelles des œuvres mêmes : quelle est l’empreinte du corps du voyageur dans le monde, dans le texte ou/et dans l’image ?

 

Call for papers : " The traveller’s body in the literature, civilization and arts of the english-speaking world "

 

This conference follows on from the research work regarding the body – the face, the reader’s body, the artist’s body – and is among the topics addressed by one of the teams of the ALTER laboratory at Université de Pau et des Pays de l’Adour. These topics center around the representations of the individual and his/her relationship with the world as he or she moves and migrates. We suggest exploring the specific dimension of the chosen and accepted journey, but also movement as embodiment. The traveller’s body has already been the subject of several academic studies, among others a Viatica issue and the conference entitled “Body in motion, travelling bodies: circulations du corps dans la littérature anglophone”. Our purpose is to lay the emphasis on the physicality of travelling and its effects. Participants will be expected to focus their attention on three main lines of research:

 

  • First of all, the material conditions of the journey create an intimate link with the body, according to several factors and circumstances such as the means of transport and travelling. These conditions are closely related with usually intermediate places that (dis)locate the body in an in-between space; railway stations and airports, concourses, harbours, hotels and inns are as many migratory and transitional spaces that result in particular postures. The traveller brings along accessories essential to his or her adventures (maps, compasses, spyglasses), wears specific travel attire and carries luggage: these objects are as many appendages or extensions of his or her body. And these very elements are often clues to his or her identity as a travelling body.

 

  • Beyond these material aspects, the relationship of the traveller’s body with its environment creates sensations or perceptions that reveal the force of this embodiment. This relationship is evidenced by feelings of pleasure and displeasure, caused by effort, fatigue, physical discomfort, and disturbed biological rhythms. It is also founded on the interactions with the landscape and architecture emerging in the background. It oscillates between contemplation and indifference, generating communion or even rapture, or on the contrary repulsion or even a feeling of being crushed. To the observer, the traveller’s body thus seems to be turned towards the scenery and the horizon, (im)mobilized in waiting, anticipating, or projecting itself in the distance. Conversely, the observer’s eyes can be disoriented at the sight of a traveller who remains inward-looking, having his or her back turned, immersed in reading a book or writing a diary, drawing or painting the scenes, engrossed in the activity of eating, or simply asleep.

 

  • These tribulations inevitably alter the body and its boundaries, leading it to a confrontation with difference and otherness. In spite of this, do they generate some reconfiguration, reconstruction, or even metamorphosis, or are they just sources of exhaustion and fragmentation? To what extent do these movements trigger a new positioning of the body itself? Praised for its initiatory and epiphanic effects, travel fosters the creation of new ways of feeling and being in the world. Further, in its phenomenological, epistemological, and ontological dimensions, travel comes to shape the modalities of artistic, cultural, and literary representation. Is it therefore possible to consider that the formal qualities of the work itself are moulded by the bodily alterations produced by travel? What are the marks, traces and prints left by the traveller’s body in the world, in the text or in the picture?

 

KEY-WORDS: traveller and travellee – corporeality – physical body – location – landscape – scenery – bodyscape – position – posture – accessories – clothes – perception – sensations – mediation – description – movement – metamorphosis – reconstruction – awakening – liberation – therapy – communion – enjoyment – oppression – alienation – fragmentation – incompleteness – disembodiment – dissolution – erasure

 

KEYNOTE SPEAKER

Isabelle KELLER-PRIVAT, CAS, Université de Toulouse Jean Jaurès

 

SCIENTIFIC COMMITTEE

Agnès BLANDEAU, CRINI, Université de Nantes

Jan BORM, IRAM, Université de Versailles Saint-Quentin

Nathalie JAECK, CLIMAS, Université de Bordeaux-Montaigne

Nadine LAPORTE, ALTER, Université de Pau et des Pays de l’Adour

Florence MARIE, ALTER, Université de Pau et des Pays de l’Adour

Laurent MELLET, CAS, Université Toulouse-Jean Jaurès

Anne ROUHETTE, CELIS, Université Clermont Auvergne

Nathalie VANFASSE, LERMA, Aix-Marseille Université

Jean VIVIÈS, LERMA, Aix-Marseille Université

 

FURTHER READING

Antoine, Philippe (dir.). Le corps du voyageur (dossier), Viatica, 2014, No. 1. https://revues-msh.uca.fr/viatica/index.php?id=280. Consulté le 27 avril 2022.

Chenmachery, Jaine and Bhawana Jain (eds.). Mobility and Corporeality in Nineteenth to Twenty-First Century Anglophone Literature: Bodies in Motion. London: Lexington Books, 2021.

De Buzon, Christine et Odile Richard-Pauchet (dir.). Le corps et l’esprit en voyage. Le voyage thérapeutique. Paris : Classiques Garnier/poche, 2012.

De Buzon, Christine et Odile Richard-Pauchet (dir.). Littérature et voyages de santé. Paris : Classiques Garnier, 2017.

Helmers, Margaret and Tilar J. Mazzeo. “Introduction: Travel and the Body”. Journal of Narrative Theory, Fall 2005, Vol. 35, No. 3, pp. 267-276.

Montalbetti, Christine. Le voyage, le monde, la bibliothèque. Paris : PUF, 1997.

Parkins, Wendy. Mobility and Modernity in Women’s Novels, 1850s-1930s. Women Moving Dangerously. London: Palgrave Macmillan, 2009.

Pratt, Mary Louise. Imperial eyes: Travel Writing and Transculturation. London: Routledge, 1992.

Starobinski, Pierre (dir.). Le corps, miroir du monde. Voyage dans le musée imaginaire de Nicolas Bouvier. Introduction de Jean Starobinski. Carouge-Genève : Zoé, 2000.

Vanfasse, Nathalie. La plume et la route. Charles Dickens, écrivain-voyageur. Aix-Marseille : Presses Universitaires de Provence, 2017.

Viviès, Jean (dir.). Lignes de fuite. Littérature de voyage du monde anglophone. Aix-en-Provence : Presses de l’Université de Provence, 2003.

Viviès, Jean. Revenir/ Devenir. Gulliver ou l’autre voyage. Paris : Éditions de la rue d’Ulm, Presses de l’École Normale Supérieure, 2016.

 

Proposals – including a 200-word abstract and a 150-word bio – should be sent to fabienne.gaspari @ univ-pau.fr and francoise.buisson @ univ-pau.fr by September 20, 2022.

 

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